An activist group has claimed to have harvested a vast number of tracks from the popular streaming service and is preparing to release them online.
Observers noted the apparent data breach could boost artificial intelligence firms looking for material to develop their models.
An entity called Anna’s Archive reported it had scraped 86 million audio tracks from the platform and 256 million entries of associated data such as artist and record names. Spotify, which hosts more than 100 million songs, confirmed that the breach did not constitute its entire inventory.
“We have identified and deactivated the nefarious user accounts that engaged in unlawful scraping,” stated a company spokesperson.
The Stockholm-based service, which has more than 700 million subscribers worldwide, added that an investigation into unauthorized access identified a third party collected public metadata and employed illicit tactics to bypass DRM [digital rights management].
The streaming service does not believe the audio taken by Anna’s Archive has been released yet. Anna’s Archive, which is known for offering links to pirated books, said in a blog it wanted to create a ‘preservation archive’ for music.
They asserted the audio files represented 99.6% of all music streamed to by its listeners and would be shared via ‘peer-to-peer networks’, a means of exchanging large data files online.
“Of course the service doesn’t have all the music in the world, but it’s a fantastic beginning,” commented Anna’s Archive, which frames its purpose as “safeguarding humanity’s information and heritage”.
A composer and campaigner for protecting artists’ copyright, said the leaked music would probably be utilized for developing AI models.
“Educating models on pirated material is sadly widespread in the AI industry, so this stolen music is almost certain to end up training AI models,” he said.
The group's website alludes to LibGen, a huge online repository of copyrighted books that has allegedly been leveraged by Meta to train its AI models.
The co-founder of an AI startup posted on the professional network that members of the public could in theory “build their own private free equivalent of Spotify”. The executive added it could also enable tech companies to “educate models on modern music at a large volume”.
Copyright has emerged as a key issue between artists, authors and creatives on one side and AI companies on the other.
Across Britain, artists and writers have raised concerns against a ministerial suggestion to allow AI companies use copyright-protected work without permission unless the rights holder opts out. Almost every respondent to a government call for evidence on the idea has supported artists’ concerns.
A government minister for science, innovation and technology informed parliament this month there was “little consensus” on the matter, adding that ministers would “use the time to get this right”. The government has committed to make regulatory plans on AI and copyright by March 2025.
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